Midseason TV Report: What’s Going On With All the Shows?!

On the heels of FOX cancelling freshmen series Ben and Kate, I thought it would be a good time to check-in on the TV season thus far. The 2012-2013 TV season started promising enough, with a batch of new shows vying for our attention and space on our DVRs. But it seems, to this TV fan anyways, that this was a particularly rough year for a lot of shows, not just the new freshmen series.

TOO MANY COMEDIES = FEW LAUGHS

The biggest issue that came about with the new season was that 3 of the major networks decided to schedule a chunk of their comedies on Tuesdays. Sure, it probably seemed like a good idea early on, but it became clear that with 8 comedies vying for similar audiences in a two-hour block, there were casualties to be made. After making their debuts, Ben and Kate and The Mindy Project got more episode pickups beyond the initial 13, despite middling ratings. FOX put faith in the shows growing in viewers, but for some reason, the numbers just weren’t there for Ben and Kate. Critics approved and enjoyed the show, but seemingly out of nowhere, FOX halted production and pulled the show from the schedule. In its place, FOX is doubling up on Raising Hope, currently in its 3rd season, and putting its season finale at March (which could be taken as a bad sign for the critically adored show).

Over on ABC, the story is just as troubling. After cancelling 666 Park Avenue (more on that later), ABC had decided on putting Happy Endings and Don’t Trust the B**** in Apartment 23 in that timeslot, on top of its current Tuesday timeslot, so that all their episodes would air before DWTS came back and they introduce some celebrity diving show. However, after two weeks of not so great ratings on Sundays, ABC effectively pulled the plug on Apt. 23, while Happy Endings will double up on episodes on Tuesdays. Again, it seems like Happy Endings is getting burned off, which might be a sign of trouble ahead for the show.

NBC is struggling with their own Tuesday comedies, Go On and The New Normal. Go On, the ensemble comedy starring Matthew Perry, has a solid viewership (some say due to its former Voice results lead-in), but not a lot of people talking about it. The New Normal had a lot of people talking early on, with people either loving or hating it, and now has settled in with those who liked it and not much else.

The new season has certainly been rough on a lot of comedies, and not just for the aforementioned Tuesday shows. CBS’ Partners and NBC’s Animal Practice were pretty much D.O.A. NBC cancelled Dane Cook’s Next Caller before a single episode even aired. FOX’s The Goodwin Games saw its episode order cut from 13 to 7, and no sign of when (or even if) those episodes will see the light of day. Second season show Up All Night took a hit creatively upon its return and are currently in the midst of reformatting to a multi-camera show (think more along the lines of Big Bang Theory; filming in front of an audience). Community was supposed to come back for its fourth season in October, but NBC put it on benchwarmer status, before finally giving it a February premiere date. Yet don’t even get me started on the shows that somehow find a way to survive.

RISKS PAYING OFF?

This is not a knock at the general viewing public (or maybe it is?). With cable networks thriving with their original programming (Homeland, The Walking Dead, Breaking Bad, etc.), the broadcast networks served up some different offerings for the new season to varying degrees of success. NBC got off easy when it found itself a hit with Revolution, a show that hooked people in with its premise of what happens when all our power/technology goes off?

ABC, on the other hand, continued its rough season when it was 0/2 for new dramas, 666 Park Avenue and Last Resort. 666 Park Avenue struggled to find its footing for the first couple episodes and was quickly deemed as a campy thriller/guilty pleasure. A lot of people shot down Park Ave for its not-so-scary storytelling, to which I can’t help but say that it’s a broadcast network show – American Horror Story, this is not. Alas, some people dropped the show as it was getting good and new viewers were nowhere to be found. When the announcement was made that ABC was cancelling the show, they had initially promised to air all 13 episodes, but then completely pulled the show off the schedule with 4 episodes left (that will supposedly air some time in the summer). Last Resort was an ambitious effort to begin with and paired with its terrible timeslot, it didn’t seem like it was going to last very long. Despite strong writing and a top notch cast, the show seemed to appeal to a more male audience, on a mostly female-oriented network.

Though not as much of a risky show as the other 3, ABC’s Nashville is still quite a wildcard. While it was deemed as another musical series a la Glee, the outcome was a much more drama and character-driven series that happened to be set in the world of country music, thereby allowing music to be organically introduced into the show. The show is certainly not without its flaws, but overall, it is a great show. For some reason however, the ratings are not what was expected of the show, leaving questions as to whether it will be able to earn a second season pickup come Upfronts (or earlier).

WRITING SLUMPS

Not to be rude, but there are some shows that I think have suffered in quality lately. Revenge, coming off of winter break has finally picked up steam and gotten a little bit back to basics. But before break, it was a huge mess with all this Americon Initiative stuff that made absolutely no sense, the stuff with the Ryan brothers and the Stowaway, even the storyline of Emily/Amanda’s mom felt a little underwhelming and unnecessary.

Glee is trying its hardest to balance the McKinley and NYADA storylines, but when I’m not furious with them over musical choices, I can’t quite seem to connect to the new kids. I keep wanting to see Dianna Agron, Naya Rivera, Amber Riley, Harry Shum Jr., and they are nowhere to be found.

What should’ve been a huge creative kick with Elena becoming a vampire on The Vampire Diaries, has instead become an incredible bore with the focus on finding “the cure.” Even the thing of having Damon and Elena finally hooking up got ruined by the idea that Elena was sired to Damon. Now with the writers and the network trying to do an Originals spin-off featuring Klaus and Elijah in New Orleans, I can’t help but not want it to happen.

SHOWS THAT HAVE IMPRESSED

I hate to sound so negative in all these analytical postings, so let me turn around and muse about some shows that have done well so far this season. Who would’ve thought that one of the biggest hits of the fall would end up belonging to The CW? Arrow was far and away one of the biggest winners of the fall TV season, and one of the few new shows this season that seem to be a certainty for renewal.

Scandal premiered late last season with 7 episodes, but came back firing on all cylinders for its second season. Shonda Rhimes created a show that certainly didn’t feel like Grey’s Anatomy or Private Practice, in any shape or form. Its steady ratings increase certainly show that more and more viewers are catching on to this seductive series.

Though it only premiered this past week, I am already very impressed with FOX’s The Following. Lots of people tuned into the premiere, despite all the controversy of whether it was too violent, particularly in the wake of such violent tragedies around the U.S. We’ll have to see if those numbers stick for the next few weeks.

Of course, some of the other new shows that I have enjoyed this season so far have received middling ratings including The Mindy Project, Go On, Nashville, and the now-cancelled Ben and Kate. Of the returning favourites, Nikita continues to not disappoint and impress on so many levels, while How I Met Your Mother is finally guiding us towards the pivotal meeting of the mother in question.

So moral of the story is: no matter how good (or bad) the show is, ratings are everything, and dictate whether or not your favourites survive. There are still a bunch of new shows that will premiere in the coming months, heading into the circle of TV life that is Upfronts. In the meantime, sound off on your thoughts of the TV season thus far!

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Favourites of 2012

Another year has come and gone, and with that, a look back on some of my personal favourites in music, movies, and television.

FAVOURITES IN MUSIC

  • Maroon 5 – Overexposed: Not gonna lie, M5 is kind of here by default. There was no way that I wasn’t going to include them, even though I have made it known that this album wasn’t exactly my favourite of theirs. However, with songs like One More Night, Lady Killer, and Tickets being standouts on the album, I can sort of justify picking it among my favourites of the year.
  • Tyler Hilton – Forget the Storm: It was a long-running thing between my friend and I, complaining that Tyler (alongside Justin Timberlake and Michelle Branch) was taking TOO DAMN LONG to release his sophomore album (his debut was released in 2004). This year, Tyler FINALLY made good on his promise to release new music, with him independently releasing the album. The outcome was a great mix of several musical influences.
  • Delta Goodrem – Child of the Universe: I’m still including this album, despite the fact that it hasn’t been officially released in North America. Delta returns with her fourth album, that plays with some different sounds for the singer-songwriter. The album features some piano-driven songs that Delta has been known for, but she also has some songs that very much play up the pop sound.
  • Kris Allen – Thank You Camellia: I kind of loved this album, and I find it a damn shame that Kris hasn’t found bigger success. I enjoyed his self-titled debut after his Idol win back in 2009, but Kris was able to really take his time with this record and personalize it. Camellia ended up being a very solid collection of songs, that found him collaborating with Jason Reeves on the first track “Better With You”, as well as rocking it out a little with “Monster.”
  • Dia Frampton – Red: Okay, so I’m cheating a little bit here. Dia’s album came out in December of last year, but because of my travels, I didn’t get a chance to listen to it until the beginning of the year. That being said, I think Dia made such a great album, really showing off all her musical tastes, with touches in everything from pop to dance to hip-hop to country.

FAVOURITES IN MOVIES

For the record, I am ridiculously behind on movies, particularly the movies with awards buzz, so this list is kind of lacking.

  • Pitch Perfect: When the movie was initially released, I didn’t think much of it, even though it has music and singing and I am such a sucker for it – but after watching it, I totally get it. The movie was fresh and funny, and the soundtrack (consisting of all the movie’s performances) was fantastic. And seriously, the riff-off in the movie was pure perfection (says the music geek who loves a good mash-up or…10)
  • The Hunger Games: I finished the entire series of books before watching this first adaptation, and it completely lived up to the books. Don’t dismiss it as a tween/teen thing, because fluff it is not.
  • The Avengers: I have never been a comic book geek, but I myself have to admit that I have a soft-spot for superhero movies. Give me a superhero that’s at least cool, with a decent storyline for a movie, and some cool looking special effects, and I am in. The Avengers is the culmination of several years’ worth of Marvel movies, featuring Iron Man, Captain America, Thor, the Hulk, as well as Black Widow and Hawkeye. With Joss Whedon at the helm, Avengers turned out to be every fanboy’s dream and a good time for all movie viewers.
  • 21 Jump Street: I was barely alive when the original TV series initially aired, but with most people, I knew this was the show that jump-started Johnny Depp’s career. This year, the show was adapted for the big screen starring Jonah Hill and Channing Tatum, swapping the crime drama of the series for a buddy comedy movie. The result was pure hilariousness, and a great role for Channing to show off his comedic chops.
  • The Cabin in the Woods: Horror movies aren’t my thing, because for the most part, they kind of suck (I’m talking movies from the past decade). The more buzz that I heard about Cabin, the more intrigued I was by it. When I finally got around to watching it, as a movie fan, I must say I really liked it. It is not your atypical horror movie, at times playing up those cliches, and at times surprising you in its direction.

FAVOURITES IN TV

  • Let’s get this out of the way first – shows that I have loved/been a fan of and have continued to love over the past year: Nikita, Fringe, Happy Endings, So You Think You Can Dance, The Voice, How I Met Your Mother, Community, Hart of Dixie, Once Upon A Time
  • Arrow: Action, drama, good looking people, a little bit of humour. I’ve said it before and I will say it again until it becomes reality, this show is the perfect schedule companion to Nikita.
  • Nashville: I’ve said it before, I’m kind of a sucker for anything that includes music. Despite the fact that this is settled in the world of country music (granted, my tastes have been widening over the years), all involved have put together a great show that welcomes you in, regardless of whether you are a country music fan or not.
  • Suits: This year, in its second season, Suits really stepped up in their story-telling. Not to knock down the first season, which was good, but this year, they turned it up a whole other level. Gripping drama, with a great deal of charm, charisma, and humour, the show surpassed White Collar and Covert Affairs as my favourite show on the USA Network.
  • Parks and Recreation: I really hate to admit this, but this was the year I caught up with Parks. I had watched the first season when it aired, and wasn’t particularly impressed with it, so I didn’t continue on. Man, was that a mistake. After watching season 2 during my travels, I continued catching up on the show every chance I got, until I caught up to what was airing in S4. I am so happy I gave the show a second shot, because no other comedy on the air can be simultaneously so hilarious and so endearing.
  • Homeland: The plot about a war veteran suspected of being a terrorist, sparked very negative/eye-rolling responses in me. However, after hearing such great buzz about the first season, I sat down and watched it over the summer. When the show came back for its second season, I was committed to it. Fantastic writing, and without a doubt, award-worthy acting from Claire Danes, Damien Lewis, and Mandy Patinkin, the show breaks all the TV rules of you should tell a story. What most shows would’ve done in 5+ seasons, Homeland did it in under 2.

DISAPPOINTMENTS IN 2012

Just for a little bit of a change, I thought I would include some music, movies, and shows that disappointed me over the year.

  • Music in general has disappointed me this year. Looking back at the music I’ve collected this year, I bought a lot less than previous years. I’m almost certain that half of this year’s music that I have is all from The Voice (U.S., U.K., Australia).
  • Glee: The show continued its descent into ridiculousness and lazy writing/creative music ideas. What I’ve come to finally realize is that I much prefer when Glee covers older songs and when they re-arrange the songs. Over the past year (maybe even 2), Glee continues to cover songs that are currently on the radio, which irks me to no end because I already don’t like 3/4 of the stuff on the radio, and they don’t even do anything different to the songs. I feel like the final straw was them doing Gangnam Style for “Regionals” and that this was the song they gave lead vocal to Jenna Ushkowitz’s Tina – can you say racist much?
  • Smash: Continuing with the music theme, Smash did not remotely live up to its fantastic pilot. The plus that it had was that it featured original music for its musical. After that, it was just ridiculous. Characters like Ellis and Leo were downright annoying. We’re supposed to like Debra Messing’s character Julia, but she did some really stupid things (and wore a lot of scarves). Don’t even get me started on Uma Thurman’s arc on the show. There’s an overhaul for season 2, with a bunch of dispensable characters gone, and some fresh blood in both newcomers (Jeremy Jordan, Andy Mientus) and familiar faces (Jennifer Hudson, Sean Hayes). However with Joshua Safran (previous showrunner of Gossip Girl) taking over for Teresa Rebeck as showrunner, I still have my reservations.
  • True Blood: Speaking of ridiculous, season 5 of TB was pretty frickin’ bad. All that religion, cult, Lilith stuff that went down was terrible. I can’t even bring myself to remember anything else about that season.
  • Prometheus: Straight up, I didn’t like it, didn’t get it. For being scientists and stuff, these people were pretty stupid, doing the typical movie things you should never do (ex. NEVER split up from the group!) There was also, for me at least, a complete lack of character development – we never fully understand why any of these characters are doing what they’re doing.
  • Rock of Ages: I had VERY low expectations for this movie and somehow they managed to make it even worse than I thought. I watched the movie because I’m a fan of Julianne Hough, but you have to admit, the rest of the cast was so incredibly random – Tom Cruise, Alec Baldwin, Russell Brand, Paul Giamatti, Malin Akerman, Mary J. Blige, Bryan Cranston, Catherine Zeta-Jones? Random. The movie was just all over-the-place.

So there you have it, some of my pop culture favourites and disappointments of the past year.

Hit or Miss?: Which of Fall’s New Shows Are Worth Watching?

The Fall TV season is well underway and that means that we’ve had a bunch of new shows all vying for our attention, amidst our returning favourites. I try to give most of these new shows a chance, particularly the comedies because who doesn’t want more laughter in their lives? So as follows, here’s a rundown of some of the new shows that have premiered thus far. As always, these are simply my opinions on the shows that I took an interest in to watch. Everything is subjective so don’t just take my word for it; if something interests you, check it out and make your own judgment.

PARTNERS: The series stars David Krumholtz and Michael Urie as two lifelong friends, and their respective others played by Sophia Bush and Brandon Routh. I went into this being a fan of both Urie (best known for his work on Ugly Betty) and Bush (none other than B.Davis of OTH!) so I was very much looking forward to it. Not to mention, it comes from the creators of Will & Grace. The pilot showed some promise but very much predictable, in the way that it’s setting up all the characters, relationships, etc. It definitely has the feel of a sitcom from the late 90s/early 00s, and while some critics are calling the style outdated, I personally don’t see why it can’t peacefully coexist with all the other comedies out there. Assuming of course that they don’t write themselves into a corner with outdated/stereotypical jokes and instead stay relevant. It seems to be a nice fit with the rest of the CBS comedy Monday lineup, but the episodes thus far have been so-so.

REVOLUTION [Picked up for full season]: Brought to us from J.J. Abrams and Eric Kripke, the series jumps forward to a future where we have lost all electricity and power. The governments as we know it cease to exist and the country is run by a powerful militia, under the rule of a man named Monroe. It is a fascinating concept to say the least in our tech-driven world and what’s been shown so far has been promising. Of course, with such a high concept, it leaves a lot of viewers questioning whether the writers can keep momentum/interest going. Fans of genre fare have been burned one too many times over the years and so many are going in with a “proceed with caution” frame of mind. Because for every Lost or Fringe, there’s been FlashForward, The Event, Alcatraz, and many more failed attempts at highly serialized dramas. Revolution, at least thus far, has shown to be far superior than any of those failed attempts in terms of the writing, but it is certainly the adult characters (particularly Billy Burke’s Miles and Giancarlo Esposito’s Captain Neville) that are carrying the show right now.

BEN AND KATE [Picked up for full season]: When I initially heard about the show during Upfronts, I had my reservations about it. I certainly still think they could’ve at least tried to come up with a better, less-generic title but I’ll let it be for now. That’s because the pilot was actually pretty good. It was cute and had a certain charm to it. It wasn’t laugh-out-loud funny, but it had some awfully amusing elements to it – Ben not liking Kate’s love interest’s inability to high-5 properly; the attempt at a three-point turn in a stationwagon; Ben trying his hardest not to swear in front of his niece Maddie (which anyone with little ones in the family can certainly attest to.) I certainly will keep watching, but it might take a backseat to the whole load of other comedies on Tuesday nights and will probably be watched the day after.

THE MINDY PROJECT [Picked up for full season]: Mindy Kaling breaks out of The Office and into her own show, where she plays an OB/GYN who sort of lives her life like it’s a romantic comedy (though let’s be real, women who watch enough rom-coms kinda do wish real life was like that). What’s great about this show is just how straightforward Kaling makes her character. We’re not talking the Hollywood ideal of what a working single woman should be. Kaling writes her character Mindy as if she was real, and rooted in reality, not Hollywood reality. Love what’s aired so far.

GO ON [Picked up for full season]: Matthew Perry returns to NBC as a sports commentator who is forced to join a support group after the death of his wife. Perry does snark pretty well (he is Chandler Bing after all!), but he’s also got a pretty funny supporting cast, including John Cho, Tyler James Williams, Laura Benanti, and Julie White, among others. Without a doubt, one of the best new comedies of the season.

THE NEW NORMAL [Picked up for full season]: Ryan Murphy’s new project centers around Andrew Rannells and Justin Bartha’s couple, Bryan and David, and their want to start a family. Georgia King’s Goldie is their surrogate, who already has a child of her own, Shania. Goldie’s grandmother, Jane (played by Ellen Barkin) is a total left-winger, racist, and bigot. Though it has its funny moments, I’m not entirely sure how much longer I will keep up with the show. Even for Ryan Murphy, who brought us Glee, a lot of what happens in the episodes feel very heavy-handed and almost preachy – talk of gay equality/acceptance, political views. It all feels a little too much.

GUYS WITH KIDS: The sitcom stars Jesse Bradford, Anthony Anderson, and Zach Cregger as…guys with kids (can they BE any more straightforward?). Almost similar to Partners in that it has an old-school sitcom vibe, and yet I was taken aback a little bit when I heard the audience laughter on this show. Maybe because these days, NBC rarely has any sitcoms that tape in front of a live studio audience. I didn’t particularly like what I’ve seen so far. It had its amusing moments (as tends to be the case when you’ve got kids in the mix) but I don’t remember truly laughing at anything. Maybe a few chuckles but that’s about it. I’m willing to give the show a chance, based purely on the fact that Jimmy Fallon created and is executive producing it, but they have to really step up their game with the writing.

ANIMAL PRACTICE: Let it be known that the only reason I checked out this show is because I’m a fan of Joanna Garcia Swisher. Now, I attempted to watch it online but the video just kept on stalling. So I pretty much took it as a sign that I REALLY should not be watching it. From what little I was able to watch, it pretty much reaffirmed my initial thoughts upon hearing it got picked up – terrible. [UPDATE: Cancelled]

LAST RESORT: I can’t even begin to explain the plot of this show, which probably should’ve been a warning sign as to whether or not I’d like it. This is my attempt at explaining it – a nuclear submarine crew receive orders to nuke Pakistan, but something about the order doesn’t seem right to the captain. They disobey the orders, get hit by an American missile, and take refuge on some island, until they are told what exactly is going on in D.C. The cast that creator Shawn Ryan has assembled include Andre Braugher, Scott Speedman, Robert Patrick, and Autumn Reeser; in other words, a great cast. But watching the pilot, I got rather bored and quickly realized that it just was not for me. I did watch to the end, but I can’t help but wonder how they are going to be able to sustain it as a series. It seems better suited as a movie or mini-series. Also, in my opinion, ABC didn’t do it many favours by putting it on Thursdays @ 8. It’s a show that would definitely work better and possibly get a better audience if given the 10 p.m. hour. Just don’t count me in on this one.

ELEMENTARY: A modern take on Sherlock Holmes set in New York, with Jonny Lee Miller as Holmes and Lucy Liu as Joan Watson. Yes, Watson is now female. No, the producers have already adamantly said that there will not be a romance between Holmes and Watson. Besides the inevitable fact that the character details of Holmes and Watson are slightly changed, there really isn’t much else that really sets it apart from any other procedural drama. I certainly applaud the fact that Lucy Liu was cast as one of the leads (we certainly need more visible minorities as leads, instead of just supporting), but it’s not quite enough to make me a regular viewer. Due to the case-of-the-week set-up of the show it’s not exactly something that requires immediate viewing, so I think it is safe to say that I’ll only watch it from time to time.

666 PARK AVENUE: Rachael Taylor and Dave Annable star as Jane and Henry, a young couple who move into the historic Drake Hotel in New York as the new resident managers, which is owned by Gavin and Olivia Doran, played by Terry O’Quinn and Vanessa Williams. As she attempts to restore the Drake to its former glory, Jane slowly uncovers something far more sinister in its history than she could’ve ever imagined. We also follow the lives of the other residents, including Robert Buckley and Mercedes Masohn’s couple, Brian and Louise Leonard; Samantha Logan’s Nona Clark; Helena Mattsson’s Alexis Blume; and Erik Palladino’s doorman, Tony DeMeo. The show is a sexy, seductive thriller, attempting to create a balance between being a soap and a creepy horror mystery drama; it’s a little bit of a hard sell. Now I know people have dismissed it because it’s “not as creepy/scary as American Horror Story“, to which I say it’s a broadcast drama AND it’s on ABC (which is owned by family-friendly Disney) – there’s only so much that they can air. From the get-go, I thought it was a great move by ABC to air this as part of its schedule alongside Once Upon A Time and Revenge, but for some reason, the ratings thus far haven’t been stellar. I’m certainly intrigued by the show and can’t wait to see where they go with the story. Hopefully ABC gives this some time before making any rash decisions regarding its fate in TV land.

ARROW: Based on the DC Comics character Green Arrow, this new adaptation follows former billionaire playboy Oliver Queen coming back to Starling City, after being presumed dead for 5 years. Oliver comes back vowing to right the wrongs of his family and restore their city to its former glory. The show comes to us from executive producers Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg, with Stephen Amell cast as Arrow. A lot of people saw this as a replacement for Smallville, but what the producers have done here is make it an entity of its own, with a look and feel that draws more from the Christopher Nolan Batman movies. The CW have a surefire hit on their hands here, with not only a known entity but with a well-crafted show that goes along well with their Wednesday night partner Supernatural and Nikita (which would’ve worked INCREDIBLY well as a lead-out of Arrow). You certainly don’t have to be a comic book geek to see how great a show this is.

NASHVILLE: Connie Britton and Hayden Panettiere stars as two rivals in the country music industry. Britton is Rayna James, a superstar who’s made a name for herself in the country music world, but who’s record sales aren’t so spectacular in the eyes of her label. Panettiere is Juliette Barnes, an up-and-comer with massive crossover and youth appeal. Just like how you don’t have to know the comics to get into Arrow, you don’t need to be a country music fan to be able to enjoy Nashville (though it may help a little when they perform some of the songs). The writing is impeccable, Britton has found herself another great character (following Friday Night Lights and American Horror Story), and Panettiere is coming back rather nicely with a much role than her Heroes character. While the focus is on Britton and Panettiere, the supporting cast certainly holds their own. Clare Bowen (Scarlett O’Connor) and Sam Palladio (Gunnar Scott) play a pair of songwriters who might just help Rayna regain success, and almost nearly stole the show with their performance of “If I Didn’t Know Better” at the end of the pilot episode. Charles Esten as Deacon, Rayna’s lead guitar player and ex; Eric Close as Teddy, Rayna’s husband, who is running for mayor; and Jonathan Jackson as Avery, Scarlett’s boyfriend and an aspiring musician, all add much drama to what’s sure to be another hit for ABC, assuming the ratings are good.

EMILY OWENS, M.D.: Mamie Gummer (daughter of legendary actress Meryl Streep) star as the title character, who is fresh out of med school and is quickly learning that life in the hospital is not so different from high school. It’s basically Grey’s Anatomy for the CW crowd. Based on the pilot alone, it’s not great, but it’s also not terrible. Something about the writing and the characterization of these people doesn’t particularly strike me as new and exciting. Certainly between Gummer and her other castmates including Justin Hartley and Michael Rady, you kind of wish they were given better material to work with. I am really hoping that the second episode will show improvement over the pilot, or else I’m afraid it’s not going to make the cut.

So that’s my thoughts on some of this year’s freshman shows. CBS already made the first cancellation of the season, cutting loose the legal drama “Made in Jersey” (Fridays @ 9? It never stood a chance.) But what else will join it? Which of the new shows have you watched? What’s been worth your time (or DVR space)?

Upfronts 2012: ABC Announces Schedule for 2012-13 TV Season

Broadcast networks upfronts day 3 – on board for today is ABC. The network renewed most of its current slate, while picking up a total of 9 pilots – 5 dramas and 4 comedies. Like last season, ABC continues to try their hand at different types of shows, particularly on the drama side.

    • 666 PARK AVENUE [Drama – Sundays @ 10]: Without a doubt, one of the pilots that I am most looking forward to. Dave Annable and Rachael Taylor play a young couple taking up the opportunity to manage the titular ominous building, owned by Terry O’Quinn and Vanessa Williams. With an address like that, nothing is definitely as it seems and supernatural forces come into play. The cast alone (which also includes Robert Buckley and Helena Mattsson) makes me want to watch it. But then you have executive producers Matthew Miller, Leslie Morgenstein, Gina Girolamo, and Alex Graves, who have come from shows like Chuck, The Vampire Diaries, and Fringe (ie. some of my favourite shows)? SOLD. Allow me to slightly fangirl here…SO. DAMN. EXCITED.
    • HOW TO LIVE WITH YOUR PARENTS FOR THE REST OF YOUR LIFE [Comedy – Midseason, Tuesdays @ 8]: Well ain’t that a mouthful of a title (and we thought How I Met Your Mother was long). Sarah Chalke stars as a single mom, who moves back in with her parents after a divorce. I think Sarah Chalke is pretty cool so I’m willing to give the show a try, but I really do wish they come up with a shorter title.
    • THE NEIGHBORS [Comedy – Wednesdays @ 9:30]: First of all, it took all of me to spell “neighbours” the American way. Anyways, the show is about the Weaver family who just moved into a gated community called Hidden Hills. They soon learn that their oddball neighbours are actually aliens. Yes, aliens…because clearly, ABC hadn’t learned their lesson from Cavemen. I highly doubt this one’s going to last.
    • NASHVILLE [Drama – Wednesdays @ 10]: Focusing on the country music scene, the show follows Connie Britton’s Rayna James, a successful star in country music who is losing popularity, and Hayden Panettiere’s Juliette Barnes, an up-and-comer. As usual, I’m always up for some more music on my TV screen. I’m not usually a country music fan, though I am fascinated by it, so hopefully this show turns out well.

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    • LAST RESORT [Drama – Thursdays @ 8]: Taken straight from Entertainment Weekly, the show is about “a U.S. nuclear sub crew refuses orders to fire their missiles and escapes to a NATO outpost and declares themselves the smallest nuclear nation.” Yeah, there was no way for me to explain it any other way. I’m kind of interested in the show based on the cast alone (Andre Braugher, Scott Speedman, Autumn Reeser), but I’m not so sure if I’m going to like this. I’ll probably watch the pilot episode, at the very least, just to see how all this gets played out, and then I’ll make judgment from there. However, this timeslot hasn’t particularly been kind to its former occupants in the past few years, so it’s going to be a tough one.
    • MALIBU COUNTRY [Comedy – Fridays @ 8:30 starting November]: Country music singer Reba returns to television in this new series, playing a woman who moves from Nashville to Malibu with her kids after she finds out her husband has been cheating on her. I somewhat enjoyed her last TV venture, but I don’t think I’ll go out of my way to watch this show. It doesn’t seem like my type of show.
    • ZERO HOUR [Drama – Midseason]: Anthony Edwards plays a publisher of a skeptics magazine, who gets pulled into a big conspiracy of his own when his wife is abducted. Sounds interesting to say the least, plus Scott Michael Foster (aka Cappie!) is in it too!

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  • RED WIDOW [Drama – Midseason]: Marta Walraven (played by Radha Mitchell) discovers that in order to protect her family and uncover the truth of her late husband’s death, she must take on her husband’s former role as part of an organized crime syndicate. I think this is another one of those “we’ll have to wait and see” to really decide whether it is worth my time or not.
  • FAMILY TOOLS [Comedy – Midseason, Tuesdays @ 8:30]: Kyle Bornheimer stars as Jack Shea, who takes over his father’s handyman business. Bornheimer seems like a funny guy, but he just hasn’t found the right project yet, maybe this will be the one to turn it around for him.

Other notable changes in the schedule:

  • Revenge moves from its current Wednesday slot to Desperate Housewives former slot @ 9 on Sundays. I actually don’t mind the move at all because that means ABC’s got me for the entire night on Sunday. Once Upon A Time, Revenge, 666 Park Avenue = perfect Sunday night.
  • Last Man Standing moves to Fridays @ 8, pairing it perfectly with Reba’s Malibu Country (even though I don’t watch LMS and I don’t really intend on watching MC).
  • Unsurprisingly, following NBC moving The Voice‘s Tuesday telecast to 8, ABC has also moved the Dancing With the Stars results show to 8.  While we’re on the topic of DWTS, it was announced that next season will be an all-star edition, featuring fan-favourites from past seasons.
  • Happy Endings and Don’t Trust the Bitch in Apartment 23 are now paired up on Tuesdays following the DWTS results show. Seriously, how perfect is this pairing?
  • Body of Proof is being held off until midseason.
  • Cougar Town has officially moved to TBS for next season.

All in all, I must say ABC has done some good things to its schedule for next season. They’ve made some pairings and line-ups that should really work out in the long run. For a complete look at what the schedule will look like and a more detailed description of the new shows, head on over to Deadline.

Tomorrow, it is CBS’ turn.