Representation of Pop Music at the Grammys

It has been about 2 weeks since the Grammy Awards, and for some reason, I came to thinking about the nominees. I’ve always been a lover of pop music; I make no qualms about it. And when it comes to the Grammys, you will usually expect me to be excited most about the pop categories. I’ve had my problems about the pop categories at the Grammys for some time now. I mean almost anything can qualify as pop it seems, even if it belongs in another genre category. Or even if that same artist is actually nominated for a different song, in a different genre. What actually qualifies as “Pop” then?

That was before, when the male and female performances, plus the group and collaboration performances were their own award. Now, with the awards for male and female being merged into one, and the group and collaboration awards merged into one, you would think that it’d be: a) more competitive as to what were the best songs of the past year; and b) more definitive of what pop is considered as.

I mentioned in the Grammy winners post how weird I thought that Coldplay and The Black Keys were nominated alongside Maroon 5/Christina Aguilera and Tony Bennett/Amy Winehouse. Granted, there aren’t that many pop groups out there, but surely they didn’t need to reach out far to get the 5 nominees?

This year my biggest pet peeve was with the Best Pop Vocal Performance. Like I said previously, I’m glad Adele won and deservedly so. But it seemed to me that all of this year’s nominees were 5 of the most popular songs of the past year, though in my opinion, not particularly the best (except for Adele of course). For most other music award shows (American Music Awards, MTV VMAs, Billboard Awards), popularity is a key factor in awarding the winners. The Grammys are supposed to be about more than popularity – it’s supposed to be about the music.

I rant about this because there are a lot of artists out there, who by Grammy standards should be eligible for the awards. Based on the nominees, it seems like you have to be very well-known to be considered; there doesn’t seem to be much middle ground. There’s a lot of talent out there that goes unrecognized and wouldn’t it be nice for them to FINALLY get recognized for their hard work. Sure, some artists could care less about winning a Grammy, but as a fan, I’d like to see my favourites get some support and win awards for being great musicians + writing great songs. And don’t we all just want to get recognition for our hard work, whether we’re musicians, actors, or general office folk?

I could understand the omission of say, Christina Perri’s “Jar of Hearts” from this year’s awards because technically speaking, it was released July 2010 so it was eligible for last year’s show. But what about Matt Nathanson’s “Faster”, Colbie Caillat’s “Brighter Than the Sun”, James Morrison’s “I Won’t Let You Go” or “Slave to the Music” and Sara Bareilles’ “Uncharted” or “Gonna Get Over You”? Yes, I am fully aware that I’m speaking as a biased fan of all these artists, but these songs were better than “Firework” and even “Perfect”.

Maybe this all stems from the fact that these songs were extremely overplayed on radio, making me give a rather negative feeling towards them. But the point of the matter is, I’d like to see the wealth being shared, with a more diverse group of pop artists being nominated. Not all artists get the luxury or luck of commercial success. Maybe the Grammys can actually give others that chance of greater success by acknowledging their work.

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Christina Perri on Tour!

It was just a little over a year ago that Christina Perri was just an aspiring singer-songwriter, working as a waitress in a cafe in Beverly Hills. Then her song “Jar of Hearts” was featured on So You Think You Can Dance in a contemporary routine choreographed by Stacey Tookey. This song that very few people had heard of before picked up interest and started charting on Billboard and selling on iTunes. Soon enough, Christina got asked to perform the song on SYTYCD, and found herself with a record deal. It’s a music industry Cinderella story that seems to rarely happen in this day and age.

Now one year later, Christina’s released her first album, lovestrong, and has just embarked on her first headlining tour after previously opening up for singer James Blunt.

Seeing success stories like Christina’s has increased my belief in the music industry. Upon reading about Christina’s Street Team and how they were looking for volunteers at all her tour stops, I decided to jump at the opportunity to help promote Christina and her music. Personally, I think there’s nothing like discovering new music and introducing new music to others, so helping out was a no brainer. In particular, I’m helping to promote the show in Toronto (Aug. 4, Opera House – Tickets still available on Ticketmaster!) but be sure to also check out her website: www.christinaperri.com for a complete list of tour dates.