Music Monday: The Rise of Unnecessary Remixes

So I wouldn’t say I’m a music snob, because I love a lot of different genres, but no one genre is superior to another. Just like TV, everybody has different tastes; everybody can like what they want. I am, however, kind of particular about what I like and don’t like. This revelation kinda happened over the past five years or so, but it was sort of always there. I have my favourites of course, but I’m a little bit more reluctant to discover new artists. Chalk some of it up to no time to actively search the internet for new music to listen to, but it’s also the fact that I’m not particularly impressed with the new batch of singers or music that get radio airplay.

Anyways, one of my biggest pet peeves are remixes. Hear me out though: some remixes are good, only if they’re done right. Again, personal preference as to what’s considered “done right”, but for me the remix has to add something of value to the song or changes it in a way that makes it feel like a different version but an extension of the song (if that makes any sense). I am not a fan of the unnecessary remix; the big one I file under that is the Dance/EDM Remix. Considering I’ve always hated EDM as a genre, it just annoys me to no end. Lately, however, the unnecessary remix I loathe is the Radio Edit/Remix where they take a perfectly beautiful song and “pop-ify” it/make it more “radio friendly.” I remember when Lady Antebellum released “Need You Now” which we all know is a great country-pop song, and then I heard some radio stations play a mix of the song that turned up the pop value and made it more upbeat. It was probably one step away from being a full-out club remix. And things have just gotten more ridiculous since then. It used to be every once in a while, typically when you get one of those genre crossover tracks and they get the “pop radio edit.” I’ve heard three, arguably already pop songs, get an unnecessary remix.

ADELE, Hello

Of course, everyone fell in love with this song as soon as it dropped. Powerful and dramatic, with Adele’s sweeping vocals. But then I heard a new mix of the song that still kept most of what you love about the song (Adele’s vocals) but increased the pop factor. It’s a subtle change in the arrangement, but you can tell the difference with the added drums that makes the song sound pop/rock (I would compare it to a OneRepublic song). It just takes away from the drama of the song itself.

Hello – DJ Mike D Remix

KELLY CLARKSON, Piece by Piece

This goes to show how much I try to avoid listening to the radio. After Kelly performed this song on Idol, and subsequently released that stripped down version, that is the version that I’ve been hearing. I love it, I heard it when she went on tour, it’s just a great fit for what the song is about. One day, after hearing the Idol Version on radio, the on-air DJ was talking about how this is such a stark difference to the “original” which was upbeat. I remember sitting in the car thinking, “What is she talking about? Upbeat?! It was maybe a midtempo pop song.  It wasn’t a dance pop song by any means.” Little did I know, the version that actually did get released as a “radio edit” was pretty dance pop-y. The accompanying video confirmed as such. And that just boggles my mind because the version I know from the album was good as is. I didn’t see a need to make it MORE POP. I’m just happy that people have been accepting of the stripped down Idol Version.

 

JAMES BAY, Let It Go

The most recent annoying remix I’ve heard is of James Bay’s Let It Go. For the past couple months, I’ve been hearing the original, simple beautiful song I know and love from the album. One day, I accidentally stumbled upon a satellite radio station that was playing this song, but an R&B remix of it?! WHAT?! It’s not terrible, doesn’t mean it was right to do so. I mean, I’d probably tolerate it more if it was like a reality TV competition show and a contestant had revamped the song for themselves (or maybe not), but giving the song an R&B groove, to me, takes away the purity of the original. It just doesn’t make sense to me.

*It was only while doing this post that I realized that two of the remixes I hated and made as an example were done by the same DJ. He is now on my hate list.

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