Posted by: popculturedrandoms on: January 27, 2012
Tonight, NBC’s Chuck aired its final episodes. I’m not going to go into detail about what happened, because if you’re a fan, you would’ve watched it.
For me, the ending was perfect. To watch the show end and not have anything to say about it afterwards is a good thing. That means there was nothing to nitpick, nothing to comment on – just letting the finale be as it is.
It’s been a tough road for Chuck. The first season got interrupted by the Writers’ Strike. At the end of every season, there were questions as to whether the show would come back for another season. Then of course it gets picked up for a 13-episode run, only to get the back 9 episodes picked up as well to make it a full season. It truly is amazing that the show got to be on the air for 5 seasons, and that the writers could do a proper finale like they did. Because as with any show, getting cancelled after the fact is frustrating to all. So an announced final season is really a gift.
I’ve loved Chuck from the beginning. For one, I am a total nerd myself so having a nerd as the titular hero was just pure awesome. But as a TV fan, I really appreciated the efforts made by the writers to create a TV show that was different than most other shows. A show that mixes action, comedy, romance with great flow is no easy feat. Not to mention the show had a lot of heart, which definitely translated to the fans.
Chuck will forever be among my favourite shows (that’s 2 Josh Schwartz shows, along with The O.C.) I love so many things about the show, but my favourite memory is actually outside of the show – going to the WB lot and our tour guide taking us to the set of Chuck (albeit not telling us ahead of time). I freaked out seeing a Buy More sign and the entire time I was in a state of utter shock and awe at standing right on the set, which was the apartment building/courtyard. Actually, before even seeing the set, I saw the Nerd Herd car and I was already happy about that. Unfortunately, I didn’t see Zachary Levi, Yvonne Strahovski, or any of the other cast members. But I will remember thinking just how cool it was to have been able to stand on the set of one of my favourite TV shows. Also, I did buy a Nerd Herd shirt at the WB shop, so I’m a total Nerd Herd For Life!
So with that I say goodbye to my favourite nerd spy (Had to be specific. Can’t betray Sydney Bristow and Nikita, after all). Thanks for 5 seasons of drama, fun, and well…awesomeness!
Posted by: popculturedrandoms on: January 4, 2012
2012 started out not so well for dance fans, when news hit that FOX had cancelled the results show for the upcoming 9th season of ‘So You Think You Can Dance‘. Executive producer and resident judge, Nigel Lythgoe tweeted the news on Sunday, which came as a shock to fans. FOX has yet to release an official statement on the news.
For many, the news of SYTYCD’s results show being cut is seen as being a step in the right direction for reality competition TV. We’ve all complained at one point or another how other reality shows like ‘American Idol’ and ‘Dancing With the Stars’ have unnecessarily long and drawn-out results shows. ‘American Idol‘ especially, is the biggest culprit of tediously long results shows, when the results of who gets sent home can/is announced in the last 5 minutes of the show. The rest of the hour is all filler with a painful group performance by the contestants, shameless promotion of a Ford vehicle, a guest performance, and the aforementioned drawn out results with countless repeatings of “Dim the lights!” and “We’ll find out…after the break!” This is not to say that ‘Dancing With the Stars‘ is any better, as instead of shameless promotion, they feature increasingly lame “comedic” filler segments, along with the usual guest performances. Both shows could use, at the very least, a cut in the results show length from one hour to a half-hour. Actually, I remember when Idol used to have half-hour results shows and at some point, they decided to increase it to one hour.
Personally, I never had a problem with SYTYCD results shows. They had a formula that worked and it didn’t feel like the results were being dragged on. Show starts with a group performance, cue opening title sequence, we find out the bottom 3 couples, special performance from the dance world, contestants dance for their lives, judges deliberate while musical guest performance takes place, find out who gets sent home – all that in one hour, doesn’t seem so bad. Now with the news that the results show is cancelled, there’s going to be some big changes to accommodate the situation. Sure, results shows aren’t particularly necessary seeing as how shows like ‘America’s Best Dance Crew’, ‘The Sing-Off’ and ‘The Voice’ have all made due with being on once a week. Let’s also not forget that SYTYCD in its first season didn’t have a results show, and because season 6 aired during the fall, the first 3 weeks of competition also didn’t feature a results show, with the judges determining the bottom 3 and who got sent home in the same episode. If SYTYCD adopts a similar format to ABDC, which is sort of what they did for the first few weeks of season 6, then it’s not so bad.
Like I said, I never really had a problem with the SYTYCD results shows. The thing I probably hate most about no results show for SYTYCD is that we probably won’t get the group routine. The group routine was my favourite part of the results shows, and a lot of them have become so memorable. Can you imagine if they never started doing results shows in season 2? We might not have gotten “Ramalama” or “Calle Ocho” in season 5 or “El Fuego” in season 8 – those were damn good group routines. Granted, season 8 started incorporating some more group routines during the performance shows, in lieu of another couple routine, but it’s just not the same. The results show group performance was sort of free of a dance style restriction. Sure, sometimes they did fall under certain styles, but you look at “Calle Ocho” which was a hip-hop/ballroom fusion and “Ramalama” was certainly like nothing else we’d seen on the show and to this day, is arguably the best group routine the show’s ever done.
Yes, the news that the results show is being cancelled comes with lots of pros and cons. My biggest gripe with this news, which not a lot of people are really considering, is that SYTYCD is a SUMMER show. As it is, there aren’t a lot of options as to what to watch during the summer. I don’t see why FOX feels the need to cancel an hour of programming in the form of the SYTYCD results show, when they probably don’t have anything else to air. If they do have something else, it’s probably another reality show of some form. So why cut SYTYCD to one night? If this was the regular TV season, it make sense to cut an hour or a half-hour of a results show, so they have room for other shows, that way long hiatuses aren’t necessary. Yes, I get that Idol has the highest number of viewers of any show. But how fair is it to, say fans of ‘Fringe’ which in its first season was put on hiatus for 2 months because of Idol? No freshman series should ever have that long of a hiatus, seeing as how many are still trying to get viewers (or in the case of Fringe, 4 seasons later, still looking for viewers in order to stay on the air). And yet, ‘Glee’ had to endure a 4-month hiatus in its first season as well, even though it was a hit and already had viewers.
At the end of the day, none of this really makes sense to me. Results shows may not be completely necessary, but we’re talking the summer TV season, in which case, I will gladly take an extra hour of SYTYCD over a re-run or some other stupid reality show the network tries to get me to watch.
Posted by: popculturedrandoms on: January 2, 2012
For the past few years, I’ve become intrigued by finding out where TV shows and movies get filmed. In the past I just thought it was cool when I heard a movie was shooting somewhere in Ontario, didn’t really give it much thought beyond that. I’m guessing it’s safe to say that my interest piqued when I went to Los Angeles 2 years ago. It was my first time back to L.A. in about 5 years, so it was a different feeling being there at 21 than 16. Anyways, when I went I started doing research as to where some things were filmed. I really just ended up looking at where The O.C. used to be filmed.
Now I really started getting interested in where things were being filmed, especially in the Toronto area. Things really went to another level once I found out last year that Nikita was being filmed (mostly) in Toronto. I went into uber-fan mode: “OMG! They are filming in Toronto! I have to go there more often than I do! I could meet Maggie Q or Shane West!” I just thought it was the coolest thing EVER (kind of still is).
I went back to L.A. last December and decided to be my pop culture geek self and went on a tour of the Warner Brothers lot. Best $45 I spent. Being able to see the sets of these shows I love, it was a little unreal. I got to see Central Perk. I stood on the set of Chuck. It was so cool seeing the stages and even just the “regular town” sets.
There is a point in prefacing my blog with these stories, as I so often do. In the past year of watching television, it occurred to me that while it was cool finding out/knowing where some things were filmed, it took me out of watching the show. My suspension of disbelief was temporarily lifted when I knew exactly where something was filmed.
I remember when Nikita filmed for a day in my hometown of Cambridge. They posted in the local newspaper that the bridge in the downtown area was going to be shut down for the day for filming, and when I read it, I freaked knowing that I literally could go see Maggie Q. I made my attempts at trying to find and meet her, but luck was not on my side that day. When the episode (1×18, “Into the Dark”) aired, I got excited watching it but quickly realized I shouldn’t have been. The scenes that were filmed in Cambridge were meant to be a substitute for London, England, so as soon as they said they were in London, I’m like thinking “They’re in Cambridge!” Took me right out of it. Not to mention, as the scenes played out, I’d go “That’s City Hall! There’s the bridge! And the church near the bridge, etc.”
Back in October, after a concert, my friend and I had to go pick up her brother and drive him back with us. As we pulled onto the street where he lived, we saw all these crew trucks and I’m thinking “Are they filming something here? What are they filming? Is it Nikita?!” Short answer: Yes, it was ‘Nikita’ and apparently they’ve been there all week according to my friend’s brother (he didn’t even have the decency to tell us ahead of time.) I managed to catch a glimpse of Maggie Q when we passed by but couldn’t actually meet her. Again, the episode (2×08, “London Calling”) airs, and I’m like “Hey! I know where they filmed that!”, followed by “Damn it! I’m not supposed to know!” Didn’t help matters that in one of the scenes you can still see an Ontario license plate on one of the cars, when they’re supposedly in London (and there I go being one of those annoying people noticing goofs).
Most recently, I saw promo pictures for the upcoming episode (2×11, “Pale Fire”) and soon realized that they had come back to Cambridge to film part of the episode. Unfortunately, I was away on vacation at the time, or else you bet I would’ve known about it and went to find a way to meet Shane West and Devon Sawa. This is how bad it’s getting: I can tell from a picture where they’re filming, and the background was blurry because the focus of the pic was Shane and Devon.
Obviously my interest in knowing where ‘Nikita’ is being filmed is starting to hinder my TV watching experience. And it’s not just ‘Nikita’ that this happens. I’ve watched episodes of ‘Covert Affairs’ and ‘Suits’ where some shots, I’m like “That’s [insert street/place] in Toronto!” because I know those shows are shot in Toronto. Watching the second episode of ‘Hart of Dixie’, they introduced the Rammer Jammer, the local bar/hangout. The Rammer Jammer is also known as Merlotte’s from ‘True Blood’. How do I know that (besides from watching True Blood)? The tour guide pointed it out when I went on the WB Studio tour. From that point on, I’ve been watching ‘Hart of Dixie’ calling the Rammer Jammer, Merlotte’s, and wondering where on the WB lot they’re filming.
But the funny thing is I watch ‘Chuck’ and I don’t even think about the fact that I stood on the set. Same thing with watching ‘Friends’ re-runs – I don’t think about the fact that I saw Central Perk and sat on the couch.
Which leads me to wonder, at what point does knowing a shooting location affect how you watch TV? Is it different knowing that something is a set that was built specifically for that TV show, as opposed to something that’s a part of the world? Because clearly my issues of disbelief arise seeing the streets of Toronto + Cambridge being used as the streets of New York, Washington, London, etc. Also, how do people in LA and NY deal with this? Although I guess, when something is meant to be LA and it is shot in LA, it shouldn’t be such a problem.
Lesson from all this? Maybe I should be less obsessive about ‘Nikita’ and just in general, watch less TV….That’s most likely not going to happen.
Posted by: popculturedrandoms on: December 31, 2011
It is December 31st, last day of 2011 – I’d say it’s about time I do my favourites list for the year.
FAVOURITE ALBUMS
FAVOURITE MOVIES
Admittedly, I didn’t see that many movies this year, especially in theatres, and so I’ve been catching up as they’ve gotten released on DVD (or I watched it on the plane during my vacation). I’m sure this list would’ve been more extensive had I seen more movie, but this will do.
FAVOURITE TV SHOWS
Posted by: popculturedrandoms on: September 5, 2011
I. LOVE. DANCE. I make no qualms about my love for it, as evidenced by a lot of my other posts. I geek out over dancers probably just as much as actors and musicians, if not more. And I’m not just talking about the dancers from So You Think You Can Dance, even though I do do the whole fan thing and meet them on tour, despite the fact that the majority of them are all younger than me, which is kind of weird…but I digress (holy run-on sentence! ahaha). I’m including dancers obviously from SYTYCD and DWTS, but also dancers I know of from Paris By Night, concert tours, music videos, etc.
I don’t claim to be an expert or know much about the dance world. There are a lot of others out there who follow the competition circuits, so they know a lot more about all this other amazing talent. I don’t follow it, so I can’t comment on it. Likewise, I don’t have much of an opinion when it comes to the world of ballet, because I don’t know much about it. What I know is from what I see, and what I see is what’s embedded in popular culture. That’s just me.
My fascination with dance started – and has at this point, probably been well-documented within this blog – when I was a kid watching Paris By Night (I promise not to go too much into my fandom with PBN). I’m not entirely sure what it was but I was just really interested in dance. I was just a kid, so I wanted to learn some of the dance moves I saw or make my own, that type of thing. One of the big turning points, the time where my interest in dance was heightened and brought up to another level was definitely with the pop movement that came in the late 90s. I was 10-ish, NSYNC, Britney Spears, Christina Aguilera, and the like were all coming on the scene and apart of this movement. With this, I found myself, especially with Britney, actively trying to learn the choreography in the music videos. Being a Britney fan, I watched everything I could of her performances and concerts on TV (wayyyy before going to concerts was a regular thing for me), and from those I got to know who her dancers were. Now comes the second of the big turning points, which was when I saw Tania Ante on Paris By Night, and I remember saying “Hey! That’s one of Britney’s dancers!” From then on, obviously I’ve paid a special attention to the dancers that come on to PBN. I can’t recall ALL of the dancers who have come and gone through PBN, but I make a very solid effort to keep track.
Despite years of Dance Crew during high school, I would never consider myself a dancer or particularly good at dancing, regardless of my efforts. I’ve always been more of an enthusiast, I think. But at the same time, a part of me always wonders what if as a kid I had asked to take dance classes? I mean I obviously loved learning choreography that I see on my TV, and to this day, every once in a while I’ll still find myself attempting to learn some choreo that I see. But if I had taken classes, would I have an even greater appreciation and passion for it? Would I be dancing with these dancers I admire, instead of just being a spectator?
These questions really just lead to my thoughts and wonderment of dancing as a career, as a way of life. You watch dancers put themselves through so much, so they can support themselves and make a living doing what they love. It’s not unlike what anybody else wants – make a living with their dream job – but dance comes with such a huge physical risk and dancers put themselves through a lot to be able to do what they love.
This now leads to the whole purpose of this posting – the “It’s About Time” campaign. The Dancers’ Alliance, an organization with a purpose of bringing solidarity within the dance community, is currently working with AFTRA (the American Federation of Television and Radio Artists) on the campaign, which works towards creating a fair union contract (including rules for proper compensation/benefits, safety, etc.) for dancers in music videos.
Music videos have been around for 30 years. Before, it was a promotional tool to supplement the release of a single by a music artist. Nowadays, on top of being another aspect to a single release, it is an extra source of revenue for artists/labels because of the technological age that we are in. MTV barely ever plays music videos because all the videos are on YouTube/Vevo with money being made.
It’s sort of unbelievable to think that after 30 years, it is only now that work is being done to give dancers what they deserve in terms of benefits and earnings on music videos. 30 years, which included numerous iconic music videos that became that way in part due to the work of dancers. You can’t argue and say that dancers aren’t important. Those great music videos from Madonna, Michael Jackson, Janet Jackson in the older days, and these days from Britney Spears, Beyonce, Justin Timberlake, Lady Gaga, would not be the same without the inclusion of dancers.
Dancers are an integral part to the music video making process. They deserve to be paid fairly and treated with respect under safe working conditions. It’s give and take. They offer up their talent and professionalism, the least producers (or whoever is involved in making the video) can do is give the dancers fair treatment.
The Dancers’ Alliance have been releasing a series of videos featuring a multitude of dancers and choreographers in hopes to rally support for the campaign. Two amazing dancers (who also happen to be PBN dance alums), Randi Kemper and Bryan Tanaka have already done videos in support of the campaign.
To watch the other videos in the campaign, check out: www.youtube.com/dancersalliance
For more information:
30 Years. IT’S ABOUT TIME.
Posted by: popculturedrandoms on: August 11, 2011
I’m not sure there’s much more to add to what’s already out there, but here’s my thoughts on last night’s finale anyways.
Yes, the show fell a little flat and ended up being kind of disappointing. I mean with such a strong Final 4, you couldn’t help but wish they had gotten more to work with. Obviously yes, we can chalk it up to fatigue, because with 4 dances a piece plus a solo, they were definitely going to be tired. However, that’s always been the case with the finales: all the contestants dance with each other and then in this year’s case, they dance a routine with an all-star (the 4th number was a group routine in previous years). But for some reason, it feels like this year’s group got it the hardest as far as all the things they have to do for these finale shows. Maybe that’s just me, but it seems that way.
At the same time though, the dancer’s fatigue is one part, but the other part is what they’re given to dance. I don’t just mean the choreography, but the dance style and choreographer as well. Yes, it applies for the whole season, the whole luck of the draw, but it’s particularly important for the finale. From the way I see it, having watched every season of SYTYCD, there are things that should not be in the finale.
I think overall, we just needed a lot more excitement in the routines, and that also stems from the music being used.
Now, as far as choosing a winner, it’s a little hard. If we look at who got the most variety in styles, Marko should take it – he got Disco, Broadway, Contemporary, Stepping. Melanie, Sasha & Tadd all got at least 2 routines that were firmly in their wheelhouse (or in Tadd’s case, pretty damn close). But if a girl should win (and probably will) it has to be Melanie, bias aside.
Anyways, still looking forward to the finale tonight, despite a lackluster performance show.
Posted by: popculturedrandoms on: August 9, 2011
Another season of So You Think You Can Dance is almost over. This week the final 4 dancers take the stage for the last time before one of them gets crowned “America’s Favourite Dancer.” Before that happens though, I thought it’d be nice to take a look back at the past season.
After the phenomenal season 7, we were left to wonder how SYTYCD would top itself this season. For starters, they (slightly) changed the stage again and went back to a Top 20 instead of a Top 11, with the All-Stars introduced at Top 10. Mary Murphy came back as a permanent judge and every week had at least one guest judge. Not all the guest judges did well, but the ones who did were either expected to or a very nice surprise. The key to being a good judge is giving the dancers/contestants criticisms, things that they can work on. I suppose being a former contestant himself, now being a choreographer on the show, and coming full circle to be a judge, Travis Wall showed to be one of the best guest judges of the season. But if we’re talking about people outside of the show, Neil Patrick Harris and Christina Applegate were terrific – both funny (of course) but also critical.
Now, one of the first of many surprises this season was that at the end of the first results show, a decision was made to not eliminate anyone and give all the contestants a second chance to make an impression on the audience. That’s not to say none of them sparked. As a matter of fact, it was a pretty great group of dancers so you can understand the reasoning behind the judges’ decision. That first week of competition gave us a great Travis Wall routine danced by Melanie & Marko, who from that point on I dubbed the best SYTYCD pairing since Katee & Joshua from S4 (but more on them later).
The second week of competition gave some memorable performances from Sasha & Alexander
…as well as Jordan & Tadd
As the weeks went on, we saw the show bring on new choreographers to bring something fresh to the table. We saw an unprecedented number of pairs being eliminated, up until Top 12 results.
Now, as previously mentioned, the All-Stars were brought in once we got into Top 10. But in a change from last year, each week we got a different group of SYTYCD alums, probably because a lot of them have other commitments. But I’m not complaining! I love seeing the older dancers back, especially those we hadn’t seen for a while (like Ivan from S2!) And as it always does, things got kicked up a notch going into Top 10, plus the presence of the All-Stars meant things had to be damn good. Take Sasha & Twitch’s Christopher Scott hip hop
…or Caitlynn & Pasha’s Argentine tango
…or Jess & Kathryn’s Stacey Tookey contemporary piece
Everything was just great!
Results for the Top 10 come in and surprise! Turns out the judges still get a say as to who’s going home, as opposed to previous years where once we got into Top 10, it was completely based on viewer votes. At first, I was just as confused as everybody and maybe a little mad when it continued for the Top 8 results. But then I realized it was kind of a good thing. From the way I saw it, the judges getting a little bit more of a say at that particular point, prevented the possibility of a shocking elimination like when Allison Holker and Janette Manrara got eliminated at Top 8 week in their respective seasons (that’d be S2 & S5).
Now onto the Final 4 dancers – Melanie Moore, Sasha Mallory, Marko Germar, and Tadd Gadduang. By no means was it a couple shocker that these 4 ended up as the final 4, but each and everyone of them more than deserved to make it to this point. I said previously that Melanie & Marko were the best pairing since Katee & Joshua, but to add to that, this has got to be one of the best finale group since season 4 (I almost wrote ‘best final 4 since S4′ but to be fair S6 had a top 6 and S7 was a top 3).
Melanie’s one of those dancers who embody everything about the dance. She has the technical skill, but she gives performances as well. The judges noted it in her Broadway routine with Tadd last week, and it’s completely true. There’s been talk about how Melanie may not have been challenged as much as the others, but you look at what she’s done outside of her genre, and she is nothing short of amazing. Without a doubt, Melanie is up there with Allison Holker as one of the best female dancers ever on the show. And you know I say that as a huge Allison fan.
Not to be outdone, Sasha is a powerhouse herself. I will admit that sometimes I don’t see what the judges see when they rave about Sasha’s dancing. But in certain routines, you do see the power and passion she puts in her movements, and it’s a great thing to see.
Tadd is unbelievable. The judges always make mention of it, but you can’t ignore it. Here’s Tadd, who is a b-boy, and you see him do these ballroom and contemporary/jazz numbers with such incredible ease, you can’t believe it. And it’s not like this started happening somewhere in the middle of the season. That second week of competition, when he got that Viennese Waltz, you watch him and see he’s got the frame and the lines; it’s ridiculous.
Last but not least, there’s Marko. I have to say this first: I have always been biased with Marko because like Katee, Paula van Oppen, and Alexie Agdeppa before him (not to mention his fellow competitor this season Alexander), he was (and hopefully continues to be after this) a Paris By Night dancer. I can’t help it. As I’ve said so many times in my blog, I’m Vietnamese, I watch PBN religiously, and I have always loved the dancers that come on, whether they were only in 1 show or have been with the show for years. So when any of them venture out to do stuff like this (or tours and other stuff), I give my full support to them. Anyways, Marko, like Melanie, has pretty much done no wrong this season. There may have been a couple things here and there with the ballroom stuff, but overall, he has been a fantastic dancer.
I want to say that come Thursday, I don’t really care who wins (which I kind of don’t because they’re all great) but honestly, for me it’s between Melanie and Marko. They’ve been my favourites from the beginning, they’ve never been in the bottom, one of them has to win.
Now for a little mini-rant (because it wouldn’t be right if I didn’t rant about something): for whoever it was at Entertainment Weekly who wrote this “The final four vie for the title, which will be awarded tomorrow. But is winning the show’s worst season to date really a victory?”, as well as anyone who agrees with that sentiment – what are you talking about?! The dancers themselves have been great this season, sure there haven’t been as many memorable routines as season 4 or last season, but worst season to date? Really? Did you seriously forget that mess of season 6, which aired in the fall of 2009? You want the worst season? That’d be it.
End of story: MELANIE or MARKO FTW!!!
And just because I feel like it, my favourite group routine of the season, which I really hope they do on tour
Posted by: popculturedrandoms on: July 18, 2011
It was just a little over a year ago that Christina Perri was just an aspiring singer-songwriter, working as a waitress in a cafe in Beverly Hills. Then her song “Jar of Hearts” was featured on So You Think You Can Dance in a contemporary routine choreographed by Stacey Tookey. This song that very few people had heard of before picked up interest and started charting on Billboard and selling on iTunes. Soon enough, Christina got asked to perform the song on SYTYCD, and found herself with a record deal. It’s a music industry Cinderella story that seems to rarely happen in this day and age.
Now one year later, Christina’s released her first album, lovestrong, and has just embarked on her first headlining tour after previously opening up for singer James Blunt.
Seeing success stories like Christina’s has increased my belief in the music industry. Upon reading about Christina’s Street Team and how they were looking for volunteers at all her tour stops, I decided to jump at the opportunity to help promote Christina and her music. Personally, I think there’s nothing like discovering new music and introducing new music to others, so helping out was a no brainer. In particular, I’m helping to promote the show in Toronto (Aug. 4, Opera House – Tickets still available on Ticketmaster!) but be sure to also check out her website: www.christinaperri.com for a complete list of tour dates.
Posted by: popculturedrandoms on: July 14, 2011
It was bound to happen, but regardless of who actually did get nominated, I knew I was going to be really upset over the snubs. Let’s just get the biggest snub out of the way first: What do the actors and writers of Fringe have to do to get nominated??!! I know Emmys aren’t very fond of sci-fi shows but COME ON! Fringe is so much more than just a sci-fi show! How do you deny such incredible writing and wonderful acting???!!! HOW????!!!! I’m so not gonna let this one go.
Anyways, moving on to the actual nominees.
BEST COMEDY
Simply put, I am so happy that TBBT got nominated – well deserved. Also happy, even though I haven’t watched it yet, for Parks. As always though, I do wish Community and How I Met Your Mother had been nominated. As much as I love The Office, the past season was kinda meh and I heard 30 Rock wasn’t all that great this season either, so yeah.
BEST DRAMA
As I’ve said before, I don’t tend to watch a lot of drama shows. I tried watching Mad Men, wasn’t for me. Never got around to watching Boardwalk or FNL or Good Wife. I’m slowly catching up on Dexter, but I’m not quite on S5 yet, so I can’t judge it either. Thrones, however, I have watched and I very much enjoyed it. It was a little slow in parts of the first half but by the end, I was definitely hooked. Wish Fringe would’ve been nominated though….(and there I go again)
BEST ACTOR IN A COMEDY SERIES
Happy surprise! Johnny Galecki being nominated alongside Jim Parsons! Also got 2 other newbies (as in different from last year), Louis C.K and Matt LeBlanc in shows I haven’t watched. It’s a nice little variety with old and new, but without a doubt, Joel McHale should’ve been included.
BEST ACTOR IN A DRAMA SERIES
Can’t say much here, but I swear by the time the actual awards come around I will have finished getting through all the seasons of Dexter and Justified. Wish Peter Krause was nominated for Parenthood though.
BEST ACTRESS IN A COMEDY
Surprised and not surprised that Lea Michele wasn’t nominated. Two people who really should’ve been nominated though? Courtney Cox for Cougar Town (again, HOW has she never been nominated for an Emmy? 10 years of Friends and nothing?!) and Kaley Cuoco for The Big Bang Theory.
BEST ACTRESS IN A DRAMA
Hargitay’s nominated again? Really? Okay, not saying anything else because if I keep on typing in this category, I’m gonna go into a big rant asking why Anna Torv was snubbed (WHY???!!!)
BEST SUPPORTING ACTOR IN A COMEDY SERIES
Holy Modern Family domination! That’s just crazy, but so deserved. And Ed O’Neill is included this year too, which is too perfect. Supporting Actor is such a tough category, so I knew lots of actors would get shafted. But how did Neil Patrick Harris, who’s been the main actor from HIMYM to get nominated previous years, including for some not so great seasons, get left out this year for a fantastic season? It just doesn’t make sense. Also Jason Segel got some great material to work with this season as well. Other snubs: Danny Pudi for Community, Nick Offerman for Parks and Recreation
BEST SUPPORTING ACTOR IN A DRAMA
For the time being, seeing as though it’s the only show of the bunch I’ve seen, I’m throwing my support to Dinklage for his role in Thrones. Annndd let’s just not mention John Noble’s snub….
BEST SUPPORTING ACTRESS IN A COMEDY
As much as I love Jane Lynch and Glee, it’s totally going to one of the Modern Family ladies. It would’ve been a lot better however, if Busy Phillips was nominated for Cougar Town or Alison Brie for Community, but that’s just me.
BEST SUPPORTING ACTRESS IN A DRAMA
I’m pretty sure these were all expected nominations, so good for them!
BEST REALITY-SHOW COMPETITION
Oh. My. God. Did SYTYCD really get nominated for the first time??!!! YESSSS!!!!! Don’t get me wrong, I love TAR, I’m on good terms with DWTS, I wasn’t so fond of Idol, and I don’t watch Runway or Top Chef, BUT SYTYCD completely deserved this nomination after a great season 7. Hell, they deserve to win!
BEST REALITY SHOW HOST
I CAN STOP COMPLAINING!!! CAT DEELEY IS FINALLY FRICKIN’ NOMINATED!!!!!! One thing I love from this set of nominations? Tom Bergeron tweeting this gem: “I’m honored to be nominated for the Jeff Probst Award. I hope Cat Deeley kicks his ass!!” Couldn’t agree with him more.
OUTSTANDING CHOREOGRAPHY
So happy for Mark’s and Travis’ nominations! And I totally called it – NappyTabs nominated for “Outta Your Mind!” Hip hop usually doesn’t win, but I so hope they do this year because those 3 routines were simply outstanding, not to mention, the other great routines they did last season. I would’ve thought that Derek Hough might’ve been nominated for the routines he did with Jennifer Grey in Season 11 but I guess not (it could’ve easily just been my love for Derek making that assumption ahaha)
OUTSTANDING ORIGINAL MUSIC & LYRICS
Let’s see, how can Andy Samberg or Justin Timberlake lose? Beyond my obvious bias, I think Justin’s monologue is gonna take it.
OUTSTANDING GUEST ACTOR IN A COMEDY
Because I would really ever vote against Justin.
OUTSTANDING GUEST ACTRESS IN A COMEDY
I knew Paltrow was gonna get nominated! There was no way all that hoopla surrounding her singing and whatnot was going unnoticed. She’s totally gonna win, sorry Tina Fey.
For a complete list of all the nominees, check out Emmys.com